Purchase your tickets to hear Pacific Edge Voices perform two pieces from my new choral cycle, Hymns from a Meadow. One is a world premiere, the other a West Coast premiere; I hope you will come share in the birth of these new works! 

Thursday, December 7, 7:30pm
The Green Room, 401 Van Ness Ave, San Francisco
(Mindy and I will be attending this one)

Friday, December 8, 7:30pm
The Crowden School, 1475 Rose St, Berkeley
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The Hymns bring together four sublime Robert Frost poems to depict an imagined meadow in northern New England as it changes through the four seasons. (PEV will be performing the remaining two Hymns in their spring concert.)

Along with works by Copland, Lauridsen, and others, December's winter-themed concert will include: 

In Hardwood Groves (World Premiere)
A mezzo-soprano soloist stands in for the poet, watching the autumn leaves fall and pondering nature’s endless cycle of death, decay, and rebirth. The chorus chants the relentless fall of the leaves, “over and over again,” and underlines the central message of the poem with a solemn refrain: “They must go down…They must go down into the dark decayed."

Stars (West Coast Premiere)
Written in the depths of winter, Frost’s stars “countlessly congregate/O’er our tumultuous snow”. They watch humanity dispassionately, “like some snow white Minerva’s snow-white marble eyes,” sharpening the already keen edge of the night’s “wintry winds.” 

​Pacific Edge Voices, under Lynne Morrow's direction, puts together very engaging programs and sings them beautifully. They've been performing my work for ten years now, including a number of premieres, and I'm delighted they've chosen to sing the Hymns.

Listen/watch as PEV performs my arrangement of "Hawai'i '78" this past June. ​​

I arranged Israel Kamakawiwo'ole's haunting rendition of this song for Pacific Edge Voices to sing as a full group (SATB with soloists) in this year's Jazz & Pop concerts. Here is a recording and video of one of their excellent performances: June 11 at the Berkeley City Club. 

​Ah, me. June 23—July 1 in Brooklyn was a glorious time. For those magical eight days, I had the distinct pleasure of participating in the Choral Chameleon Composition Institute, led by the venerable conductor/composer/organist/spiritual guru Vince Peterson. 
 
Alongside eleven other composers and two conductors, I spent every day fully immersed in choral writing, with daily classes in ear training and music analysis, master classes with a variety of choral pros, private lessons with the fantastic composer (and fellow SF Conservatory alum) Jeffrey Parola, and best of all, several days reading and rehearsing original compositions with the amazing professional core of Choral Chameleon.

I brought two pieces with me: “A Prayer In Spring,” which I originally drafted two years ago but had basically left in the bottom drawer until this week, and “O Child,” an original Christmas carol that I finished only a week before the Institute. The choir sang “O Child” in a rehearsal for me, giving me a chance to record it for later revision, but “Prayer” became the main course, and the piece that ended up in the final concert.